by Gavin Souter
Leon
Maxwell Gellert (1892-1977), soldier, poet and journalist, was born on 17 May
1892 at Walkerville, Adelaide, third child and elder son of James Wallis
Gellert, an Australian-born clerk of Hungarian descent, and his wife Eliza
Anne, née Sutton. A sturdy child who was indulged by his mother and 'flogged'
by his Methodist father, Leon eventually acquired enough knowledge of
self-defence from the Young Men's Christian Association to throw the astonished
parent on his back. He remained grateful to his father for introducing him to
books, starting with Coral Island, but resented James's refusal to sponsor his
education beyond Adelaide High School.
Leon
became a pupil-teacher at Unley Public School. Financially assisted by an
uncle, he attended University (Teachers') Training College, and passed modern
European history and education (1912) and English language and literature
(1913) at the University of Adelaide. Gellert taught physical education at
Hindmarsh Public School until, eighteen days after the outbreak of World War I,
'dancing and singing', he enlisted in the Australian Imperial Force. In his
troop-ship in the Aegean he diverted himself by writing verse. As a lance
sergeant with the 10th Battalion, he landed at Gallipoli on 25 April 1915.
Wounded by shrapnel, and suffering from septicaemia and dysentery, he was
evacuated to Malta in July and thence to London. He was diagnosed as having
epilepsy, repatriated and discharged medically unfit on 30 June 1916. In
November he re-enlisted in Adelaide, only to be discharged almost immediately,
but the suspected tendency to epilepsy was not borne out in later life. He
returned to teaching, at Norwood Public School.
Meanwhile,
Gellert revised and added to his overseas verse. Songs of a Campaign (1917) was
hailed by the Bulletin as one of the best verse collections to have 'come out
of the war to the English language'; it won the university's Bundey prize for
English verse, and, before the year was out, Angus & Robertson Ltd
published a third and enlarged edition, illustrated by Norman Lindsay. Australia's
closest approximation to a Brooke or Sassoon, Gellert looked the part,
particularly in Lindsay's 1918 depiction of him as a knightly seraph. He was of
strong build and middle height, with a fair complexion, grey eyes and light
brown hair; sometimes, to his annoyance, his features were described by the
press as 'sensitive'.
In
the best of his verse Gellert used everyday language to express what would
later be termed 'a perplexed disillusionment with the soldier's lot'. But he
did not maintain the impetus. The Isle of San (1919), a cycle of 120 poems
published as a limited edition, again illustrated by Lindsay, dealt with
'Youth's eternal awakening to the failure of ideals'. There were few reviews
and H. M. Green subsequently declared that Gellert's 'best verse is almost all
in his first book'.
Poetry
gave way to journalism, and in due course to expected disillusion. Soon after
his marriage to Kathleen Patricia Saunders on Christmas Day 1918 at St
Margaret's Anglican Church, Woodville, she joined him in Sydney where Gellert
taught English at Cleveland Street Intermediate High School until 1922. He took
over a column, 'The Man in the Mask', in Smith's Weekly, and was introduced by
Lindsay to an artistic and literary circle which included Sydney Ure Smith and
Bertram Stevens. When Stevens died in 1922, Gellert replaced him as co-editor
of Art in Australia and became a director of Art in Australia Ltd, which also
published the Home.
The
company was acquired in 1934 by John Fairfax & Sons Ltd. Ure Smith and
Gellert retained their co-editorships until the former resigned in 1938. Gellert
was sole editor of the Home from that year until its closure in 1942. He was
then put in charge of the Sydney Morning Herald's magazine and book pages.
Although deprived of the magazine pages in 1945, he retained the title of
literary editor and wrote a graceful column, 'Something Personal', for the
Saturday book pages; from 1949 he contributed a widely read humorous column to
the Sunday Herald (later the Sun-Herald) and, following his retirement from
Fairfax in 1961, the Sunday Telegraph. His Sunday columns, republished in Week
after Week (1953) and Year after Year (1956), were usually set in Burran
Avenue, Mosman, where he had built a cliff-top home in 1922. They portrayed him
as a bespectacled curmudgeon—a far cry from Lindsay's angelic dry-point or Norman
Carter's courtly oil painting of 1923.
The
Gellerts' only child and grandchild had died in childbirth during the 1940s.
After his wife's death in 1969, he returned to Adelaide and spent his last
years with a beloved pet dachshund in a house at Hazelwood Park that he called
Crumble Cottage. He died on 22 August 1977 at Toorak Gardens and was cremated.
Select
Bibliography
A. Limb, History of the 10th Battalion A.I.F. (Lond, 1919)
Sydney Morning Herald, 23 Aug 1977
K. C. Harper, Leon Gellert (filmed interview, 1975,
Australian Council Library, Redfern, Sydney)
audio tapes (University of Queensland Art Museum)
Gellert papers (State Library of New South Wales)
Lionel Lindsay papers (State Library of New South Wales)
Ure Smith papers (State Library of New South Wales)
John Fairfax Group Pty Ltd Archives, Sydney.
Sources:
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